How to use a EF86
The Svetlana EF86 is a version of a small pentode which was
popular in Europe for use in hi-fi equipment from 1952 through
the 1960s. Unlike the majority of pentodes of this type, the
EF86 possesses low distortion, low hum induction and low ionization
noise. Further, it has a built-in electrostatic shield, making
an external tube shield unnecessary. No other tube in production
today has all these features. In addition, the EF86 is an
excellent replacement for any EF86/6267 tube previously made.
This bulletin will show a few typical circuit designs which
apply the EF86 and make the best use of its unique capabilities.
Figure 1 is the classic connection
for an EF86 as a maximum-gain audio preamp, and is derived
from numerous technical sources, such as old professional-audio
designs and the Mullard "Valve Circuits For Audio Amplifiers"
textbook. With appropriate changes to the grid resistor, this
circuit may be used anywhere a low-noise low-level preamp
stage is needed. For example, making Rg=10 megohms allows
the use of this stage in a condenser microphone. The output
may be attached to a suitable plate-to-600-ohm transformer
for driving a standard balanced line, or to a cathode follower
for driving low-impedance unbalanced loads. If a preamp for
use with a moving-magnet cartridge is needed, make Rg=47k
ohms. If this circuit will be used as a pre-preamp with a
moving-coil cartridge, Rg should be chosen to match the load
required by the cartridge's manufacturer. This resistance
is typically in the range of 10 to 1000 ohms. And for direct
attachment to an unbalanced 600-ohm dynamic microphone, Rg=620
ohms. DC heater power is recommended for best noise performance.
The internal shield (pins 2 or 7) may be connected either
to the cathode or to signal ground.
Figure 2 is a suggestion for
a very simple voltage-controlled amplifier for use in electronic-music
equipment. Although distortion is greater than with conventional
VCAs, this circuit gives a distinctive sound which has musical
value. The plate voltage changes slightly with the screen
voltage, so the capacitor Cf may be required to help smooth
out the resulting "click" or "thump".
Cf should be selected for the desired application--if the
circuit is breadboarded, try a 0.1 uF capacitor. An extra
feature of the EF86 is that the suppressor grid is separately
accessible (pin 8), which allows its use as an additional
CV input if desired, in a manner similar to the screen grid.
Most small pentodes have an inaccessible suppressor, as it
is internally connected to the cathode. The voltage gain of
this VCA varies exponentially with the CV, making it suitable
for most voltage-controlled music synthesizers with their
exponential CV response.
Figure 3 shows the EF86 in triode
connection. When this is done, the resulting triode is among
the lowest-distortion electronic amplifying devices ever made.
Typical second-harmonic distortion with 10v RMS output is
on the order of 0.05%. This result is achieved without any
negative feedback, so this circuit is an excellent choice
for high-end audio design. The voltage gain will be about
25 in this connection, making it suitable for line stages.
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